The innkeeper’s name was Mike Harrell; he was transferring to another inn north of Dallas and gave Jim his first full-time singing job in January of 1970.

From there, he was picked up by Lance McFadden, an innkeeper of two Holiday Inns in East Texas. McFadden introduced him to Rodney Crowell who was a student at Stephen F. Austin University in Nacogdoches at the time. Jim’s first wife, Linda, was eager to get in on the action, so Rodney taught her how to play drums. The new trio played together for several months in East Texas, including Longview, until Rodney moved to Nashville, where he ultimately found fame and fortune.

After buying a home in Garland, Chesnut made several trips to the west coast where he met three music industry insiders willing to listen to his songs, Bob Webb (Jimmy Webb’s father), Glen Hardin (Elvis Presley’s former piano player) and Leon Russell. All three men were very approachable and advised Jim to head to Nashville, which he did.

On his first trip he was able to get the lay of the land, and on the second trip he left a demo recording of one of his original songs, Oklahoma Morning, at Charley Pride’s office. He was notified shortly thereafter that Pride wanted to record the song. So, he signed a single-song publishing agreement with Pride’s company, Roz-Tense Music.

In November 1975, armed with a Charley Pride cut in his resume, Jim walked in the front door of Acuff-Rose Music, Inc. with a demo recording of ten more original songs and was given an audience. Don Powell ushered him into a conference room with studio-quality speakers and listened to half of one song.

He politely excused himself, left the room and returned with half-a-dozen music industry executives who then sat quietly while Powell rewound the tape and started it over.

After listening to all ten songs, Powell stopped the tape, and Vice President of Acuff-Rose, Ray Baker asked, “What do you want?”

Jim explained that he wanted to write and record in Nashville. A month later, in December of 1975, Jim was signed to Acuff-Rose Music, Inc. under the terms of a five-year exclusive songwriting agreement. Barely two months later, he was signed to a three-year, three-album recording contract with MGM/Hickory Records.

Under the same contract, Chesnut’s records were released on MGM/Hickory Records, ABC/Hickory Records, and MCA/Hickory Records all in a three-year period. In all, 11 singles were released, seven charted in Billboard Magazine’s Top-100 Country Chart, and one of those, Let’s Take the Time to Fall in Love Again (a Chesnut original), made it to the Top-30.

Because of the chart performance of that song, Billboard recognized Chesnut as one of the nation’s Top-10 up and coming country music artists.

So far so good, right? Not quite.

When Jim first signed with Acuff-Rose, the publishing giant had a whopping 27 percent of the Billboard chart one week. Twenty-seven out of a hundred songs were published by Acuff-Rose.

Three years later, when Jim left the company as a recording artist, they had only one song in the chart, and it was Jim’s Let’s Take the Time single. The deal with MCA had gone sour, and Jim never got to record the third album he was promised.

Just as Oklahoma Morning opened doors in Nashville, Let’s Take the Time opened them in California where Lt. Governor Mike Curb signed him to a single’s only contract with no guarantee of an album.

Within two years, under the Curb deal, one single was released on United Artists Records, and two were released on Liberty Records. They all three charted, but only the second one, Bedtime Stories, made it into the Top-40 of Billboard’s chart. The third single, The Rose Is for Today, tanked three weeks after it was released. It was his last Nashville release.

This was early 1981, and Jim would be 37 years old in December of that year. His first marriage ended in divorce later that year, and he was racked with pain and guilt. Not many marriages survive the music business, and he was also addicted to alcohol.

He moved to Austin for a while and quit drinking. In early 1982, he sang one last time in San Antonio at KKYX River Festival as a favor to his friend, Bill Rohde, the station’s general manager. That’s where he met Christine Walden, the station’s promotion director.

A month later, he moved from Austin to San Antonio to pursue Ms. Walden, and a few months later they were married.

They still are, and he’s still sober!

Chesnut is a seasoned born-in-Texas, country music singer-songwriter who has appeared via the William Morris Agency with such greats as Willie Nelson, Charley Pride, Rodney Crowell, Tom T. Hall, Bobby Bare, Dottie West and many, many others.

Charley Pride even endorsed Chesnut’s first album on ABC/Hickory Records, Let Me Love You Now, in 1977 and said, “. . . My prediction is that Jim will make a big impact on the music industry.”

But, despite Pride’s prediction and ten Billboard Top-100 country music singles, including two in the Top-40, that hasn’t happened.

Chesnut began a new career in marketing communications in San Antonio and stayed away from the music industry for 26 years. But, in 2008, he started over, and in his retirement years having more fun than ever making better music than ever.